“Transitional” type is so-called because of its intermediate position between old style and modern. The distinguishing features of transitional typefaces include vertical stress and slightly higher contrast than old style typefaces, combined with horizontal serifs. The most influential examples are Philippe Grandjean's “Romain du Roi” for the French Crown around 1702, Pierre Simon Fournier's work circa 1750, and John Baskerville's work from 1757 onwards. Although today we remember Baskerville primarily for his typeface designs, in his own time people were much more impressed by his printing, which used an innovative glossy paper and wide margins. Later transitional types begin to move towards “modern” designs. Contrast is accentuated, and serifs are more flattened. Current examples of such are based on originals from approximately 1788-1810, and are dominated by British isles designers, such as Richard Austin (Bell, 1788), William Martin (Bulmer) and Miller & Richard (ScotchRoman). For currently available examples of transitional type, there are many types which bear Baskerville's name, descending from one or another of his designs. Less common today is P.S. Fournier's work, although several versions of it are available in digital or metal form. Although Scotch Roman has been a very common face in metal type usage since Monotype's 1920 revival, it is not a common digital face. Bell, on the other hand, is included in a Microsoft Font Pack, and Bulmer has received more attention since its revival by Monotype in late 1994.
See also Transitional in Classification section.