Leslie Cabarga's Raceway descends from three-dimensional jig-sawn plywood letters, automatically spaced and aligned on a slotted board by the connecting stroke. Even strokes and curves combine with everpresent horizontal strokes to create a brilliant Art Deco letterform. The skillful use of the naively wide letterspacing so favored in the thirties should guarantee this font a home in every retro-deco designer's collection; FB 1995