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1. Luga

Luga sample

The typeface was designed at SoftUnion in 1994 by Nikita Vsesvetsky. Luga is similar to ITC Lubalin Graph by Herbert Lubalin, 1974. Details »

2. Circe

Circe sample

Circe is a geometric sans-serif with some humanist features in 6 weights from Thin to Extra Bold. The name of the font is derived from both its geometric shapes and artificial, kinky nature. Details »

3. Futura PT

Futura PT sample

Futura was designed for Bauer company in 1927 by Paul Renner. This is a sans serif face based on geometrical shapes, representative of the aesthetics of the Bauhaus school of the 1920s-30s. Details »

4. Helios

Helios sample

The typeface was designed at TypeMarket in 1993-1996 by Alexey Kustov and Sergey Shanovich. Based on Helvetica™ by Eduard Hoffmann and Max Miedinger, Linotype, 1957. Details »

5. ITC Garamond

ITC Garamond sample

The typeface was designed for the International Typeface Corporation in 1975 by Tony Stan, inspired by the typefaces of the French punchcutter Claude Garamond (middle of the 16th century) and its modern versions. This version has a large x-height, close letterspacing and a wide range of weights and widths. Details »

6. FreeSet

FreeSet sample

The FreeSet type family in four basic styles, based on Frutiger, of Mergenthaler Linotype, 1976 by Adrian Frutiger, was designed in ParaType (ParaGraph) in 1992 by Tagir Safayev. Frutiger font was originally aimed to be used on the new Charles de Gaulle Airport at Roissy signs. Details »

7. ITC Franklin Gothic

ITC Franklin Gothic sample

This typeface was designed for the International Typeface Corporation in 1980 by Victor Caruso. Franklin Gothic was originally designed by Morris Fuller Benton and first issued by American Type Founders in 1904. Details »

8. FF DIN Pro

FF DIN Pro sample

Details »

9. Futura Futuris

Futura Futuris sample

Futura Futuris was designed at ParaType (ParaGraph) in 1991 by Vladimir Yefimov, basing on Futura of the Bauer company, 1927, by Paul Renner. Futura is a registered trade mark of Neufville, SL. Details »

10. Mediator

Mediator sample

Mediator is a balanced contemporary sans serif typeface that performs well both in display sizes and body text. The family contains 30 fonts in 3 widths: 8 romans with matching italics, of slightly extended proportions, from Thin to Black; 7 narrow and 7 condensed, from Thin to ExtraBold. Details »

11. Stem

Stem sample

Stem is a geometric sans serif with semi-closed aperture and large x-height. 12 faces of it, including upright and true italic faces of different weights, are intended primarily for large point sizes. Details »

12. Magistral

Magistral sample

The first three weights of the family were designed at ParaType (ParaGraph) in 1997 by Dmitry Kirsanov. They were based on the artworks of Moscow graphic designer Andrey Kryukov (1923-1997). Details »

13. ITC Officina Sans

ITC Officina Sans sample

Designed for the International Typeface Corporation in 1990 by Erik Spiekermann. A sans serif version of ITC Officina Serif. Details »

14. PT Sans Pro

PT Sans Pro sample

PT Sans Pro is a comprehensive type family intended for a wide range of applications. It consists of 32 styles: 6 weights (from light to black) with corresponding italics of normal proportions; 6 narrow styles; 6 condensed styles; 6 extra condensed styles and 2 caption styles (regular and bold). Details »

15. Baltica

Baltica sample

Designed at Polygraphmash type design bureau in 1951-52 by Vera Chiminova, Isay Slutsker, et al. Based on Candida of Ludwig & Mayer, 1936, by Jakob Erbar. Details »

16. ITC Officina Serif

ITC Officina Serif sample

This typeface was designed for the International Typeface Corporation in 1990 by Eric Spiekermann and Just van Rossum. Designed as a stepping stone from typewriter type to traditional typographic design. Details »

17. Newton

Newton sample

Newton was developed at ParaType (ParaGraph) in 1990 by Vladimir Yefimov and Alexander Tarbeev under the name TimesET. It’s based on Times New Roman of Monotype, 1932, by Stanley Morison and Victor Lardent, and other versions of Times. Details »

18. Literaturnaya

Literaturnaya sample

Literaturnaya was designed at NII OGIZ type design bureau circa 1940, basing on Latinskaya of the Berthold foundry (St.-Petersburg, 1901), Cyrillic version of Lateinische of H.Berthold (Berlin, 1899). Details »

19. Pragmatica

Pragmatica sample

The typeface was designed at ParaType (ParaGraph) in 1989-2004 by Vladimir Yefimov and Olga Chaeva as a spin-off from Encyclopedia-4 type family of the Polygraphmash type design bureau (1987, Vladimir Yefimov and Isay Slutsker). Pragmatica was inspired by Helvetica (Neue Haas Grotesk) of Haas typefoundry, 1957, by Eduard Hoffman and Max Miedinger. Details »

20. PT Serif Pro

PT Serif Pro sample

PT Serif Pro is a universal type family to be used in combination with PT Sans Pro family released earlier. PT Serif Pro matches PT Sans Pro in metrics, proportions, weights and design. Details »

21. Circe Rounded

Circe Rounded sample

Circe Rounded is an extension for popular Circe typeface, with rounded terminals. Bold and ExtraBold faces have two variants with different radius of the terminals. Details »

22. ITC New Baskerville

ITC New Baskerville sample

This typeface was licensed by the International Typeface Corporation in 1982 from Linotype-Hell company. The family was developed in 1978 by designers headed by John Quaranta, based on a typeface of English typographer John Baskerville, circa 1757. Details »

23. ITC Bauhaus

ITC Bauhaus sample

This typeface was designed for the International Typeface Corporation in 1975 by Edward Benguiat and Victor Caruso. Inspired by the typefaces of the Bauhaus design school in Dessau, Germany. Details »

24. Humanist 521

Humanist 521 sample

Humanist 521 is a Bitstream digitized version of Gill Sans typeface. The font was designed by Eric Gill and released by Monotype circa 1928-1930. Details »

25. DIN 2014

DIN 2014 sample

DIN 2014 is a contemporary version of a well-known DIN typeface. The Regular performs well in long text settings, while Light and Bold faces are extremely legible at large sizes. Details »