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1. Futura PT

Futura PT sample

Futura was designed for Bauer company in 1927 by Paul Renner. This is a sans serif face based on geometrical shapes, representative of the aesthetics of the Bauhaus school of the 1920s-30s. Details »

2. Circe

Circe sample

Circe is a geometric sans-serif with some humanist features in 6 weights from Thin to Extra Bold. The name of the font is derived from both its geometric shapes and artificial, kinky nature. Details »

3. Stem

Stem sample

Stem is a geometric sans serif with semi-closed aperture and large x-height. 12 faces of it, including upright and true italic faces of different weights, are intended primarily for large point sizes. Details »

4. DIN 2014

DIN 2014 sample

DIN 2014 is a contemporary version of a well-known DIN typeface. The Regular performs well in long text settings, while Light and Bold faces are extremely legible at large sizes. Details »

5. Futura

Futura sample

Futura is a registered trade mark of Neufville, SL, that was designed for Bauer company by Paul Renner in 1927. This is a sans serif face based on geometrical shapes, representative of the aesthetics of the Bauhaus school of the 1920s-30s. Details »

6. DIN PT

DIN PT sample

DIN PT is a new font family of sans serif typefaces designed at ParaType on the base of a well-known German font developed in Deutsches Institut fur Normung e.V. Details »

7. FreeSet

FreeSet sample

The FreeSet type family in four basic styles, based on Frutiger, of Mergenthaler Linotype, 1976 by Adrian Frutiger, was designed in ParaType (ParaGraph) in 1992 by Tagir Safayev. Frutiger font was originally aimed to be used on the new Charles de Gaulle Airport at Roissy signs. Details »

8. ITC Officina Sans

ITC Officina Sans sample

Designed for the International Typeface Corporation in 1990 by Erik Spiekermann. A sans serif version of ITC Officina Serif. Details »

9. ITC Charter

ITC Charter sample

Designed in 1987 by Matthew Carter as the first original typeface of Bitstream, Inc., it was licensed by the International Typeface Corporation in 1993. Details »

10. Mojito

Mojito sample

Mojito is a lively and vigorous calligraphic font based on a brush pen calligraphy. The author carefully rethought all of the character forms and created a very concise and clean outline that would look great in any size. Details »

11. Pragmatica

Pragmatica sample

The typeface was designed at ParaType (ParaGraph) in 1989-2004 by Vladimir Yefimov and Olga Chaeva as a spin-off from Encyclopedia-4 type family of the Polygraphmash type design bureau (1987, Vladimir Yefimov and Isay Slutsker). Pragmatica was inspired by Helvetica (Neue Haas Grotesk) of Haas typefoundry, 1957, by Eduard Hoffman and Max Miedinger. Details »

12. Swift 2.0

Swift 2.0 sample

Gerard Unger developed this newspaper font between 1984 and 1987 for Dr.-Ing. Rudolf Hell GmbH, Kiel. Details »

13. Futura Futuris

Futura Futuris sample

Futura Futuris was designed at ParaType (ParaGraph) in 1991 by Vladimir Yefimov, basing on Futura of the Bauer company, 1927, by Paul Renner. Futura is a registered trade mark of Neufville, SL. Details »

14. Adonis

Adonis sample

Adonis is a typeface of classical appearance with slightly oblong proportions, small rounded serifs, and soft letterforms. The face is both space-saving and legible in small sizes. Details »

15. Dessert Script

Dessert Script sample

Dessert Script is a display font in one style based on flat brush calligraphy. It combines the smoothness of contours, overall dynamics of text setting, open and friendly nature. Details »

16. FF Meta Pro

FF Meta Pro sample

FF Meta™ was designed in 1991-93 by Eric Spiekermann based on the typeface comissioned by the German Post Office (Bundespost) in 1984 as an exclusive corporate font. However the face was not accepted by the customer and the whole project was cancelled. Details »

17. ITC Bodoni 72

ITC Bodoni 72 sample

ITC Bodoni project finished on the 23rd of August, 1994, is a historical version of fonts of the great Italian typographer, punch-cutter and publisher Giambattista Bodoni (1740-1813) created by ITC (International Typeface Corporation). Sumner Stone managed the project and became an author of italics of big sizes. Details »

18. ITC Officina Serif

ITC Officina Serif sample

This typeface was designed for the International Typeface Corporation in 1990 by Eric Spiekermann and Just van Rossum. Designed as a stepping stone from typewriter type to traditional typographic design. Details »

19. PT Sans Pro

PT Sans Pro sample

PT Sans Pro is a comprehensive type family intended for a wide range of applications. It consists of 32 styles: 6 weights (from light to black) with corresponding italics of normal proportions; 6 narrow styles; 6 condensed styles; 6 extra condensed styles and 2 caption styles (regular and bold). Details »

20. ITC New Baskerville

ITC New Baskerville sample

This typeface was licensed by the International Typeface Corporation in 1982 from Linotype-Hell company. The family was developed in 1978 by designers headed by John Quaranta, based on a typeface of English typographer John Baskerville, circa 1757. Details »

21. Friz Quadrata

Friz Quadrata sample

riz Quadrata was designed by Ernst Friz for Visual Graphic Corp. in 1965 and released by ITC in 1974. Details »

22. Scientia

Scientia sample

Scientia (means "knowledge", "science" in Latin) is a neutral serif typeface in eight styles. It contains four weights (Regular, Medium, Bold, Black) with corresponding italics. Details »

23. ITC Franklin Gothic

ITC Franklin Gothic sample

This typeface was designed for the International Typeface Corporation in 1980 by Victor Caruso. Franklin Gothic was originally designed by Morris Fuller Benton and first issued by American Type Founders in 1904. Details »

24. Humanist 521

Humanist 521 sample

Humanist 521 is a Bitstream digitized version of Gill Sans typeface. The font was designed by Eric Gill and released by Monotype circa 1928-1930. Details »

25. ITC Avant Garde Gothic

ITC Avant Garde Gothic sample

ITC Avant Garde Gothic was designed for the International Typeface Corporation by Herbert Lubalin and Thomas Carnase in 1970. Oblique versions were added in 1977 by Andre Gurtler, Christian Mengelt and Erich Gschwind. Details »