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1. Futura PT

Futura PT sample

Futura was designed for Bauer company in 1927 by Paul Renner. This is a sans serif face based on geometrical shapes, representative of the aesthetics of the Bauhaus school of the 1920s-30s. Details »

2. Futura Futuris

Futura Futuris sample

Futura Futuris was designed at ParaType (ParaGraph) in 1991 by Vladimir Yefimov, basing on Futura of the Bauer company, 1927, by Paul Renner. Futura is a registered trade mark of Neufville, SL. Details »

3. ITC Avant Garde Gothic

ITC Avant Garde Gothic sample

ITC Avant Garde Gothic was designed for the International Typeface Corporation by Herbert Lubalin and Thomas Carnase in 1970. Oblique versions were added in 1977 by Andre Gurtler, Christian Mengelt and Erich Gschwind. Details »

4. Circe

Circe sample

Circe is a geometric sans-serif with some humanist features in 6 weights from Thin to Extra Bold. The name of the font is derived from both its geometric shapes and artificial, kinky nature. Details »

5. Pollock

Pollock sample

Pollock is an experimental type family designed at ParaType (ParaGraph) in 1995 by Alexander Tarbeev, basing on PT Hermes, 1993, by Tagir Safayev and inspired by the art of Jackson Pollock. The font is well suited for advertising and display typography. Details »

6. Helios

Helios sample

The typeface was designed at TypeMarket in 1993-1996 by Alexey Kustov and Sergey Shanovich. Based on Helvetica™ by Eduard Hoffmann and Max Miedinger, Linotype, 1957. Details »

7. ITC Franklin Gothic

ITC Franklin Gothic sample

This typeface was designed for the International Typeface Corporation in 1980 by Victor Caruso. Franklin Gothic was originally designed by Morris Fuller Benton and first issued by American Type Founders in 1904. Details »

8. Mediator Serif

Mediator Serif sample

Mediator Serif is a balanced contemporary serif typeface that performs well both in display sizes (like in packaging or branding) and body text (books or periodicals where narrow styles will be extremely useful). Mediator Serif is a complementary serif face for Mediator Sans. Details »

9. FreeSet

FreeSet sample

The FreeSet type family in four basic styles, based on Frutiger, of Mergenthaler Linotype, 1976 by Adrian Frutiger, was designed in ParaType (ParaGraph) in 1992 by Tagir Safayev. Frutiger font was originally aimed to be used on the new Charles de Gaulle Airport at Roissy signs. Details »

10. Mediator

Mediator sample

Mediator is a balanced contemporary sans serif typeface that performs well both in display sizes and body text. The family contains 30 fonts in 3 widths: 8 romans with matching italics, of slightly extended proportions, from Thin to Black; 7 narrow and 7 condensed, from Thin to ExtraBold. Details »

11. ITC Officina Serif

ITC Officina Serif sample

This typeface was designed for the International Typeface Corporation in 1990 by Eric Spiekermann and Just van Rossum. Designed as a stepping stone from typewriter type to traditional typographic design. Details »

12. Stem

Stem sample

Stem is a geometric sans serif with semi-closed aperture and large x-height. 12 faces of it, including upright and true italic faces of different weights, are intended primarily for large point sizes. Details »

13. Journal

Journal sample

Journal type family is a low-contrast text face of the Ionic-Legibility group. It was designed at the Polygraphmash Type Design Bureau in 3 styles in 1951–53 by Lev Malanov and Elena Tzaregorodtseva, basing on Excelcior by Chauncey H. Griffith, 1931, Mergenthaler Linotype. Details »

14. Futura

Futura sample

Futura is a registered trade mark of Neufville, SL, that was designed for Bauer company by Paul Renner in 1927. This is a sans serif face based on geometrical shapes, representative of the aesthetics of the Bauhaus school of the 1920s-30s. Details »

15. Leksa Sans

Leksa Sans sample

Leksa Sans is a humanist sans-serif face with low contrast. The family consists of 14 faces (upright & true italic in seven weights from Extra Light to Black). Details »

16. Swift 2.0

Swift 2.0 sample

Gerard Unger developed this newspaper font between 1984 and 1987 for Dr.-Ing. Rudolf Hell GmbH, Kiel. Details »

17. Magistral

Magistral sample

The first three weights of the family were designed at ParaType (ParaGraph) in 1997 by Dmitry Kirsanov. They were based on the artworks of Moscow graphic designer Andrey Kryukov (1923-1997). Details »

18. FF Unit Pro

FF Unit Pro sample

FF Unit was designed by Erik Spiekermann and produced by Christian Schwartz. FF Unit is the grown-up, no-nonsense sister of Spiekermann’s famous FF Meta—in FF Unit, all of the puppy fat is off; some curves have been flattened out, and the letters’ shapes are tighter. Details »

19. FF DIN Pro

FF DIN Pro sample

Dutch type designer Albert-Jan Pool created this sans FontFont between 1995 and 2009. The family has 20 weights, ranging from Light to Black in normal and condensed styles (including italics). Details »

20. FF Meta Serif Pro

FF Meta Serif Pro sample

Type designers Erik Spiekermann (D), Christian Schwartz (US), and Kris Sowersby (NZ) created this serif FontFont in 2007. Extensions were made by Ralph du Carrois (D) and Botio Nikoltchev (BG). Details »

21. Petersburg

Petersburg sample

Petersburg was designed at ParaType (ParaGraph) in 1992 by Vladimir Yefimov, basing on Kudryashevskaya Encyclopedicheskaya of Polygraphmash, 1960–74, a typeface by Nikolai Kudryashev and Zinaida Maslennikova. A very lightweight style with neutral letterforms, it is quite space-saving. Details »

22. Herold

Herold sample

The typeface was designed at ParaType (ParaGraph) in 1993 by Vladimir Yefimov based on Herold Reclameschrift by Heinz Hoffman of H. Berthold (Berlin), 1901, and Russian Herold typeface of the Berthold typefoundry (St. Details »

23. Academy

Academy sample

Academy was designed circa 1910 at the Berthold type foundry (St.-Petersburg). Details »

24. News Gothic

News Gothic sample

A Bitstream version of News Gothic that was created by Morris Fuller Benton for American Typefounders and first appeared in 1908. There is the standard American sanserif of the first two thirds of the twentieth century with narrow proportions and a large x-height. Details »

25. ITC Charter

ITC Charter sample

Designed in 1987 by Matthew Carter as the first original typeface of Bitstream, Inc., it was licensed by the International Typeface Corporation in 1993. Details »